A Happy Easter Holiday to all our readers from the INDEPENDENCE Daily team!

 

 

In these grim days it feels difficult to celebrate the highest Christian Feast: Easter Sunday. It feels difficult not only because our Christian culture has been crumbling before our eyes, helped by decades of secularism promoted in schools and academe, but also because of the increasing wokeness of those currently occupying the highest offices in the Churches, in Canterbury and Rome. 

These days have been and sadly still are grim thanks to the covid years with all the cruelties imposed on us because of the lockdowns and ‘covid measures’, and they are grim because of the war in the Ukraine and the uncertain future. 

However, looking back at the preceding millenia and centuries we see that people have always faced an uncertain future, suffering from diseases, famines, war and death. These experiences and the memories of such experiences –  think: ‘30 years war 1618 -1648’ in Germany, think ‘Civil War’ in England – have had their effect in the music of the great composers. One thing was different though. They had a firm belief in Christ’s Resurrection and they knew their Bible.

G.F. Handel for example used texts from the Old Testament for his oratorio ‘The Messiah’. Many thought and think that these texts were prophesying the coming, the death and the resurrection of Jesus Christ. So let’s start this musical celebration of Easter with this famous recitative and aria for bass, from Handel’s Messiah:

 

 

The light, the glory reflects and refers to the resurrected Messiah, Jesus Christ, rising upon Jerusalem. That is the prophecy and the reassurance. 

But now, after Good Friday, after the Crucifixion, now that Christ is risen, listen to how J S Bach celebrates the Resurrection in the B minor Mass. The text is the Latin mass which at that time was used daily in Catholic Churches. This particular segment is from the ‘Credo’:

 

 

Here is celebration, reaffirmation and glory made into one magnificent piece of music. Here is the glory and the light to which Handel has pointed us in his aria.

Since I’ve mentioned ‘Gloria’ a few times, here to finish, is the final song of Bach’s ‘Magnificat’ – with a surreptitious hint from Bach at the end, indicating that this glory is still with us, through the Holy Spirit:

 

 

I hope this wasn’t ‘too much religion’! I hope that this music, written about 250 years ago, still shines in all its glorious beauty – for all people, regardless of their faith, as it does for me.