Snobs playing instruments …
Today I’ll disregard the ‘news’ presented by the MSM. It’s no great loss, it’s not as if there were real news as opposed to more or less skilfully presented propaganda pieces. Firstly, the obligatory look at the print editions’ front pages: “Newspaper headlines: Hancock before Covid Inquiry and doctors to strike” (link). See – we’re ‘good’: Hancock is being grilled, producing inanities.
Why is it that I feel as if we peasants are being given a lollipop to pacify us, by allowing ‘witnesses’ to denounce this person and the government’s covid policy now, when it’s too late and when the attitude which produced this unspeakable disaster is still flourishing in Whitehall and Westminster?
That’s all I’ll say about this inquiry for the time being. Today I want to look at something completely different: music. Classical music, that is, and ‘education’. Yesterday The Times had a report, accompanied by an editorial. Today they doubled down with an opinion piece by Andrew Lloyd Webber. All these items are paywalled.
I was very much intrigued because classical music or rather one special era of it, is close to my heart. For me, it has brightened many dark hours and I cannot conceive of living without it. This is something I don’t talk about very often because it’s a question of taste about which one ought not to debate, as the ancient Romans observed when they said “de gustibus non est disputandum”. Interests do vary and ought not to be discriminated against, one way or another.
And so, being intrigued, I plunged into those pieces and was shocked to read the following in yesterday’s report (all emphases are mine):
“Classical music is becoming the preserve of the privately educated because state school children do not routinely learn instruments, the boss of a leading orchestra says. Dame Kathryn McDowell, managing director of the London Symphony Orchestra (LSO), […] said that music education should be given greater priority in state schools. She fears that the demands of the national curriculum, budget constraints and a shortage of dedicated music teachers inevitably mean that children in state schools are often not able to learn to play an instrument.” (link, paywalled)
So that’s why the Times gave so much space to this subject! It’s about ‘helping the underprivileged’ by giving more money to state schools. This statement emphasises the old lefty attitude that classical music is only for rich toffs, that proper working class people are fine with listening to pop music and that their aspirations to become rich pop stars should be supported, not the demands learning an instrument poses.
More insidiously is not only the “MeToo” attitude when it’s about getting more money from the Treasury but also the typical snobbery which those of the chattering classes love to display, especially when they are only consumers of ‘culture’ but not practitioners. The headline of yesterday’s editorial gives the game away:
“Sliding Down the Scales – State schools are dropping music lessons, depriving children of a lifetime’s pleasure” (link, paywalled)
They regurgitate the outcry by Dame Kathryn McDowell that ever fewer children from state schools become classical musicians, i.e. ‘not entering the pipeline to classical orchestras’, reducing ‘music education’ in the sense of ‘exclusive classical music’ to ‘instrument playing’, regardless of pupils having an interest, never mind talent. A comparison with school sports shows that few are talented while the untalented majority is forced to ‘do sports’, being taught a lifetime of revulsion.
Next we’re told pridefully that an orchestra (Birmingham) will help a local academy and that “Musical hubs and other initiatives are being proposed: local industry, arts foundations and wealthy enthusiasts can take pride in local musical talent.” (link, paywalled). How nice! Andrew Lloyd Webber blows the same trumpet (sorry, couldn’t help myself …!) in his piece today, writing:
“Classical music must not be the preserve of the rich. There should be a proper programme that makes music available to students in every school.” (link, paywalled)
The rest of his piece is about a ‘proven programme’ which has been running for ten years and “has provided musical instruments and weekly music tuition that have transformed disadvantaged schools and their pupils.” (link, paywalled). So something is being done then, and has been for years.
Why then do we get this concerted wailing in The Times? Do the editors want to affirm their ‘anti-posh’ stance by warbling about money needed for state schools, about poor kids being ‘deprived’ of learning an instrument? The editors have done themselves no favour at all though as their own snobbery comes to the fore in the editorial’s concluding paragraph:
“Sadly, all is now being sacrificed to “Stem” education. The sciences are where Britain’s future lies, the thinking goes, and humanities in general are optional. What a drab, utilitarian future that offers!” (link, paywalled)
What unmitigated tosh! Many ‘STEM educated’ people have learned to play an instrument to the highest standards. “Science” and “Culture”, here: classical music, are not mutually exclusive. Moreover, why should music education be treated differently than sports?
Closing school sports grounds, curtailing sport education has been an issue for years. Those with talent and interest have had to learn sports in athletic or football or swimming clubs. Why should classical music be any different? Furthermore, one can be taught to understand and appreciate classical music without playing an instrument, just as one can appreciate athletic prowess without being an athlete.
I regard this sudden ‘outcry’ as another sly instrument in the campaign for ‘regime change’ here in the UK. It is utterly misplaced because it doesn’t address the true malaise of our schools, state or private: the decades of neglecting to teach basic skills like reading, numeracy and discipline.
It’s not a question of more money for classical music education – it’s a question of tackling at the roots a reform of curricula and teaching. But that is something which won’t happen in our lifetime because governments across the world are more interested in ‘educating’ children to remain dumb and thus easy prey to ‘the latest thing’, making them governable, making them helpless to resist ‘government measures’ such as lockdowns.
That’s all I have for today. Meanwhile, let’s cheer Nigel Farage for having won ‘TV Presenter of the Year’, to the massed displeasure of the Westminster ‘presenters’ and ‘industry’ bosses. Have a good day.
Mare Zee Dotes n dozy dotes,
N liddle lamzee tivy,
A kiddl ee tivy too,
wooden chew
I learned at age 5 ( Took a fortnight ). Boring
Age 16 or 17. Was instructed by various girls to listen for bongs and bangs and move appropriately.
Learned Victor Sylvester’s book by heart.
Boring. Enormous waste of time. But seemingly essential.
The lesson here.
1. Mares eat oats, Does eat oats etc
This was 1936 Top of the pops.
2′ Then one has to link tune to words and why
Tune > Why
3 Memorise. Why ?
4. !944 .Girls are better ? ( Different ) from boys
5 Why > Research.> Conclusion
6 Army.,, girls Rhythm dancing.. shamelessly used for emotions
7. Age 90 > Insulated.
etc.
Sadly, lots of money to be made from pop music. Politicians exploit this too to push their agendas. Follow the money/power trail.
Echo your sentiments Norman.
https://order-order.com/2023/06/27/watch-bitter-audience-boo-farage-as-he-wins-news-presenter-of-the-year-award/
There is a classical music canon just as there is a literature canon and appreciation of both requires education. While there is some choice or debate over contents at the fringes, both canons have been attacked by the left’s march through education. White history is under attack and its cultural history with it. Music education must now be ‘relevant’ and include rap and other ‘popular’ forms – i.e. anything not requiring training, education and effort to achieve. It is all part of the repudiation of white civilisation itself and general dumbing down. Our schools no longer teach that Schubert’s Gretchen am Spinnrade is a response to the poetry of Goethe, for example (not that our kids today will have a clue about Goethe) or that political nationalism affected music as with Rimsky-Korsakov and Dvorák. Moar money is not the problem as this piece rightly notes. Our problems are much, much deeper.
“…governments across the world are more interested in ‘educating’ children to remain dumb and thus easy prey to ‘the latest thing.”
Exactly. They don’t want us or our children to enjoy excellence in any form, and nudge us into thinking it snobbish, and that bashing a saucepan with a spoon is of equal musical value as a violin !! While constantly nudging us to want the State to Do More, in other words encouraging ever Bigger Government and more government waste. .
The enjoyment of good music is under attack from other quarters too, eg the current fad for Streaming of music on a smartphone, rather than CD players. To my mind an example of how “you’ll own nothing, and be happy about it because you’ve been too dumbed down to see what the problem is”.
And what on earth have they done to the Proms: the first half taken up by gasbags and plinks and plonks, then the good stuff after 9 pm when most viewers have lost interest.
Well we had better start nurturing musical talent in schools before orchestras and music like this become a thing of the past: (Yes I know I’ve been recently preaching here against too many videos, but musical ones are different !)
Absolutely they are!
Here’s one, a Chopin waltz played by the outstanding Polish pianist Adam Harasiewicz – it’s short, but not the infamous ‘minute waltz:
Have at it!
Viv
Very nice. I must listen to some of his other recordings as I haven’t heard these yet.
As you know, tastes do differ, and the performance of one interpreter of a musical piece might be anathema to the other.
However, Adam Harasiewicz is in my humble opinion simply the outstanding Chopin interpreter. He’s not as rah-rah thunder as others, but his exquisite playing is simply sublime.Here’s a well-known Nocturne – enjoy:
Lovely . Well I’m now definitely a fan ! many thanks Viv for introducing me to Adam H..
My pleasure!
Currently I’m learning to play the piano working / woking towards grade one. It will be a couple of days (!) yet before I can match the Chopping piece above.
But I’m more in the Spooksy camp. Can the bloke play wheels on the bus? Pubs and parties is more roll out the barrel. And before you say too much think Winifred Attwell and her qualifs – certain she could play the dreary stuff if ever it was needed.
Love Chopin.
Not very jolly. And having an AI for a conductor? Chaqu’un a son coeur.
Beefoven’s 9th aint bad. Addinsell’s Warsaw Concerto v good. Gertswine blue rap for more up to date stuff.
Biscotte……I would have thought Gangsta Rap was more your cup of tea………..
CH- I’m not familiar with that artist’s greatest hits (all on one single?).
Another thing not taught in schools these days is woodwork/metalwork/handicrafts.
ISTR that I started about the age of eight.
Very useful when it comes to fixing up houses.
Not everyone is academically inclined.
No wonder there’s a dearth of tradesmen.
The limit of my musical ability was the recorder.
The intellectuals got to play the violin and the cello.
One went on to play in an orchestra.
Every Good Boy Deserves Favour!
Lot of diverse comments.
ISTR – is that biosafety stuff hArryFAgain?
So you understand woodwork can stop covid scamdemics in future? Or can you fashion a penny whistle with a crochet hook.
Mr. Armitage…….I know what you’re saying here. At the secondary modern school which I attended in the late 1960’s early 1970s they operated a two tier system, whereby those in the top stream of education were treated infinitely more favourably than those in the middle stream where I was and the bottom stream, and that extended to music as well. In the top stream pupils were offered the chance of learning to play the violin or the cello, whereas as I was offered the chance of learning to play the Harmonica, Spanish Guitar or Glockenspiel. Initially I opted for the Harmonica but then said to the music teacher I wanted to learn a proper instrument and cited either a Trumpet or Trombone. Sorry, no can do was the answer, so I saved up pocket monies and monies I earnt from a Saturday job in a hotel to buy a second hand Tenor Trombone and had lessons outside of school. So much for everyone being equal………
CH- so you have been blowing your own trumpet / trombone since you were a youngster??
CH: How fascinating. Were you any good, and did you keep up with it?
Mary…………..alas not. A little problem called Tinnitus caused me to stop. However, I still occasionally have a blow, but much prefer to listen to professional musicians playing. In my world Big Band Swing is King.
Watching that ‘clip’ of Nigel Farage at the TRIC awards yesterday just highlighted the crass ignorant behaviour of much of the ‘millenial media class’ as well as much of society as well. Blairs ‘uni’ students writ large for all the world to see.
Am I the only one who thought that the acceptance speech that Nigel Farage delivered at the TRIC awards ceremony in London yesterday was just a bit silly. Not the best time and place to be saying the sort of things he was saying to be honest, and he should have confined his speech to thanking those around him who produce his GB News programme. In the event he went on and on, which resulted in a lot of people shouting back to which he said ‘I’ve heard much worse than that in the European parliament sir’ to one heckler. Farage would not have won too many people over by his crass speech, and to be honest the only reason why he won that award was because over several days on his programme he had requested viewers and listeners to vote for him on the TRIC online site. At the end of the day who is interested in these silly awards, they do not mean anything to me, and to be perfectly honest I would much rather that Farage concentrate his venom at holding our ruddy useless psuedo conservative government to account on the front line of politics rather from the warmth and safety of a radio/tv station. I think Farage made a bit of a chump of himself yesterday because he was approached by the stage hosts who ushered him away. The whole spectacle in my view was unedifying, and Farage should be able to do much better than that. I was not impressed, and if Farage thinks his political future revolves around silly people on a radio/tv station, then perhaps those of us who still treat politics with a degree of seriousness should find somebody more credible than he to lead the centre right.